![]() ![]() It allows you to output and input visuals from one application to the other, all in real-time. Spout is the Windows equivalent of the hugely popular Syphon on the Mac. And output to professional SDI connections without having to buy a special expensive videocard that has SDI outputs. This way you can easily output to another screen on a laptop that might not have multiple outputs. With Arena 5 you can also output via BlackMagic devices. ![]() Great tip! Will have to give this a shot.Those fancy BlackMagic capture devices can not only bring images into Resolume. I'm not saying that Midi shortcuts won't help in a pinch, but I am 100% certain that Slice Transforms (and the other ideas we have in store) are just as fast, if not faster, and are much more versatile in the long run. Except it's Resolume native, and you don't have make your slices twice. Do you want to mirror the look? Instead of creating yet another 40 slices with 40 shortcuts, just use a mirror effect.įunnily enough, this is essentially what Mapio does as well. Do you want a single clip to use a different look? Apply the Slice Transform on the clip.īonus advantage, your preview monitor looks like your stage. You can even make presets for these looks, and copy them to other layers to mix and match. If you want to show content only in a single slice, bypass or delete the others. It doesn't get any quicker than this.Īll of these are midi assignable. If you want to duplicate the content, put it on Fill. If you want to have the layer fill the stage, put it on Mask. In the composition, apply a Slice Transform effect on each layer, using the five slices from your AO setup. What we suggest is the following: set up your Advanced Output once. ![]() Do Midi shortcuts sound like the way to go for that? Imagine having more than a basic setup of 5 screens. Oh well, let me just update my 27 presets." Even if we add the ability to switch presets via Midi, the permutations will end up killing you. Still, switching from look to look for a few layers in one go is going to take more fingers than I have on one hand. Now you're probably smart enough to use the same shortcut on more than one slice, for toggling looks with one button. Pretty soon, your Advanced Output is a mess of 100+ slices, and 50+ shortcuts to remember. But you probably want granular control over each slice, so it's more likely somewhere between 5 to 10 shortcuts for each routed layer. This means that for each layer, you'll end up with 10 slices, 5 for the fullscreen look, 5 for the duplicated look. ![]() Now, let's say you want to mix and match layers like this. Great, you can fade two looks in and out. So you'll assign a midi shortcuts for these 5 new slices, as well for the five original ones. Then let's say we make it possible to assign midi shortcuts to slices. What your first move will be, is to take these slices as they are, duplicate them and re-arrange them so they take the center of the comp as input. Now obviously, you're going to want to have a look where you have one image spanning the stage, and one look where content is duplicated on each of the 5 screens. In the processor they are positioned like this: Let's assume we have a stage consisting of 5 LED pillars. Joris wrote:Okay, let's walk through a basic example. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |